Brother’s Keeper: Episode 4

New to Brother’s Keeper? Read Episode 1

He runs, incredibly fast, towards the elevator door as it slowly opens …

Jay slides feet first into the elevator just as its doors open wide enough for him to fit through and he immediately takes out the legs of a SWAT officer just beyond the doors.

The are four officers behind the first officer, and all are momentarily surprised and confused by the first officers sudden wild fall, but in that very brief moment of their indecision Jay jabs the electroshock baton into the first officers neck – delivering an electric shock that renders the officer unconscious – and jabs the baton at the groin of the next officer, who immediately collapses, unconscious.

The next officer behind attempts to aim his assault rifle at Jay, but Jay leaps to his feet and as he rises he pushes the gun’s barrel up towards the ceiling with his left hand and drives the baton into the chin of the officer – like an uppercut, which by itself could’ve knocked out the officer, but the shock from the baton renders the officer unconscious anyway. The officer falls backwards like a log and an extremely stocky officer behind him frantically stumbles away from the fall to far right corner of the small elevator as another officer in the left aims an automatic shotgun at Jay.

Jay doesn’t hesitate; he charges at the stocky officer as the officer attempts to regain his balance – he knows the officer in the left corner wouldn’t shoot the shotgun at him in such a confined space with his fellow officer squarely within range of the shotgun’s wide pellet blast.

The stocky officer aims his assault rifle at Jay’s head, but as he pulls the trigger Jay swings the baton at the rifle’s barrel and the bullet whizzes past Jay’s ear. Jay then uses his momentum to drive his left elbow into the jaw of the officer before the officer can repair his aim and fire again. The elbow strike stuns the officer and Jay jabs the officer’s ribs with the baton, but there is no shock as the baton is damaged from its impact with the rifle. Without pause, Jay swings the baton into the jaw of the officer three times in under a second, knocking the officer unconscious, and then tosses the baton at the right arm of the officer in the left corner, who is pulling out a handgun holstered by his hip.

The handgun flies away from the officer’s grasp and the officer ignores the intense pain in his arm and readies himself for hand-to-hand combat as Jay fast approaches. He swings a good tight right hook at Jay, but Jay deftly catches the punch, traps the arm, and uses it to pull him down. Jay viciously knees his head, drives it hard onto the floor, and drops an elbow onto the back of his head – all in one swift motion. Needless to say, the officer is unconscious.

Jay runs out of the elevator towards the window across the hallway. He leaps over the incapacitated officers and pulls out his M9 – tucked in his waistband. He shoots at the window three times in a tight cluster and the window shatters. As he approaches the window, he detaches to top of his large belt buckle, which has a seemingly unending very strong string connecting it to the belt. He stabs the sharp hooks of buckle into the wall underneath the window and dives head first out of the window.


The second elevator opens and six officers, wearing night vision goggles and their assault rifles raised, cautiously step out. Four of the officers remain by the elevator and intently scan the hallway while the other two others enter the first elevator. A brief moment later, the two officers return and one of them approaches the officer leading the team.

‘Unconscious but alive,’ the officer whispers to the team leader.

‘Alive?’ the team leader questions, without turning to the officer.


There is a moment of silence as the team leader ponders.

‘Radio for the medics?’

‘I tried. Radio’s still not working.’

‘Okay, take them down and bring up a couple medics.’


‘Yes.’ He gestures to the incapacitated officers in the middle of the hall. ‘They are alive too; still reading heat on the infrared.’

The officer rushes back into the first elevator and a short moment later, the elevator doors close and it descends.

The five officers, led by the team leader, strategically advance along the hallway, carefully sidestep the unconscious officers, and approach Jay’s open room door. The team leader tosses a flash bang into the room; it detonates, and three officers surge from behind him into the room. He and the last remaining officer wait by the door, alert.

Suddenly, there is a loud explosion outside the hotel. The team leader instantly turns to the shattered window, as it’s apparent the explosion came from that side. He and the officer standing by the door run towards the window and stare out into the alley below where a blaze rages. He then notices the string coming up from the alley and traces it to the buckle clamped on the wall.

‘Fuck!’ he exclaims. ‘He’s gone!’

Brother’s Keeper: Episode 1

New to the Blog? Read my Introduction and the synopsis of Brother’s Keeper

Midnight approaches and silence reigns in the leafy back garden of a detached house in suburban New York. In a dark corner, light glistens off the silver suppressor of a black M9 pistol in the grip of a gloved hand, and eyes intently stare through a back window into the living room of the police safe house.

In the sparsely lit living room, a scruffy middle-aged police officer sits with Frank – a despicable and overweight hoodlum who’s turned prime state’s witness against his long-time employers and associates. They laugh extremely loudly as they watch The Big Bang Theory on the equally loud television. Another much younger officer stands by the back window, alert. He glances through the window into the garden as he’s done repeatedly over the past three hours, waiting anxiously for his shift to be over. Suddenly, there is movement from above and the young officer instantly looks up.

‘Chill out, kid, it’s the missus,’ Frank says, with a strong Brooklyn accent.

‘I think we woke her,’ the young officer says.

‘Fuck that,’ Frank retorts. ‘She’ll fall back asleep any moment. She can sleep through anything.’ He turns to the older officer beside him on the couch and smiles suggestively as he says, ‘Trust me.’

Frank and the older officer laugh hysterically, and the younger officer forces a smile as he pulls out a cigarette and lighter.

‘Not in here,’ the older officer orders, in an almost identical accent to Frank.

The younger officer nods and diligently walks the couple steps to the back door. He taps in a six-digit code into the alarm control panel by the door and pushes it open. He steps through the door into the back garden, and just before the sturdy door closes behind him, a gloved hand stops it and slowly pushes it open. Jay Matthews – a steely-eyed athletically built man in his late twenties, dressed in black – walks through the door wielding the suppressed M9 pistol. He walks intently towards Frank and the older officer, leaving the younger officer sprawled out unconscious just outside the door.

Frank and the older officers are completely focused on the television, and their boisterous laughter drowns out Jay’s footsteps as he approaches. Frank opens his mouth widely to burst into laughter and Jay shoots him in the mouth. He is dead instantly and slumps lifeless, but Jay shoots him twice more in the chest.

The older officer is motionless but unafraid as he watches Jay calmly pull out a black rose and place it on Frank’s rotund belly.

‘Sorry bout the fucking delay,’ the officer whispers, and gestures to the unconscious younger officer. ‘That fucking boy scout didn’t gimme a chance, was by the door all night. You fucking killed him, right?’

Jay aims the pistol at the officer’s head.

‘Hey! Hey!’ the officer chides, and slaps his bulletproof vest. ‘In the vest! And take a couple steps back. You can’t always trust this NYPD issued shit.’

Jay doesn’t respond.

‘Come on,’ the officer chides. ‘Make it quick. I think the …’

Jay shoots the officer between the eyes, killing him instantly. He stares intently at the lifeless officer; his orders explicitly said to kill everyone in the house except the officer, but fuck that, it had to be done. Suddenly, footsteps approach from behind.